Break of Day review – Kat Stewart is superb in this deeply moving portrait of Australia’s working class

A new play by Steve Rodgers, Break of Day, has been praised for its nuanced portrayal of Australian working-class life, tackling issues of poverty, class, and structural inequality that are often overlooked in Australian theatre.

The play follows Pam, a woman working a 12-hour night shift at a packing warehouse, who is desperate to improve her daughter's life by securing a place at university. Set designer Anna Cordingley has brought the grim realities of Pam's workplace to life, while the production's atmosphere of oppression and faux bonhomie is skillfully maintained throughout.

The play's cast gives a commendable performance, led by Kat Stewart as the enigmatic and troubled Pam. Her portrayal captures the complexities of a woman struggling to hold together her and her daughter's lives amidst crushing adversity.

The direction by Sarah Goodes is noteworthy for its restraint, allowing the audience to piece together the intricate narrative and draw conclusions about the characters' motivations. Paul Jackson's lighting design adds depth to the performances, while Jethro Woodward's score underscores the emotional turmoil of the characters.

Overall, Break of Day is a standout production that avoids melodrama and didacticism in favour of a nuanced, thought-provoking exploration of the Australian working class.

It is clear that the cast, led by Kat Stewart, has been carefully directed to deliver naturalistic performances, which add to the play's authenticity and emotional impact.

Sherry-Lee Watson gives a promising performance as Rae, Pam's daughter, capturing the tension and frustration of a bright young woman trapped in a difficult situation.